Tune-ups are a very important part of maintaining all types of machinery. A tune-up ensures that all functioning parts are performing at optimal levels. Decorators of all types rely on their equipment day after day to produce quality results. If neglected, these complex machines will slowly deteriorate and minimize production and profit potential.

Can you suggest some approaches to building a darkroom for a screen-printing shop that has a limited floor space? This was a question posed by a Printwear reader, and here is Kieth Stevens’ response:

A booth can often be constructed of black plastic sheeting, which is relatively cheap to purchase. Choose a location close to the washout area to minimize exposure to light. Simply construct a 1′ x 3′ wooden frame and determine where to place the entry to the dark room. Staple the plastic to the frame and overlap some plastic to create the “door.” By overlapping the plastic sheets, it will minimize the light coming through during entry and exit. Also, be sure that the plastic cover reaches to the floor to block out light completely.

New article from Marshall Atkinson & atkinsontshirt.com. What is one of the number one growth area in the decorated apparel industry?  Performance and Athleisure wear.  The good news is that your shop can benefit directly from this boom by decorating on these trendier tech apparel blanks.  Maybe you already are, and that’s great.  There is better margin in them too; as they prove to be more difficult for some lesser educated or experienced shops to handle.  I’ve talked to plenty of new customers over the years that left their previous decorator because the white ink turned pink on some red polyesters shirts (see the picture above – does this look like your handiwork?), and the printer didn’t take responsibility for the challenge. 

Let's stop for a minute and think about all the moments our presses have come to a halt in production. I’ve been in the T-shirt business some 30 years, and the list of reasons hasn’t changed much. You’ve got pinholes, ghost images, ink buildup, ink hangup, mis-registration, uneven ink coverage, poor color balance, and dot gain – to name a few. Now take it a step further and estimate the amount of downtime these disruptions cost you. Better yet, ask your staff to start recording this information, because real data is far more revealing than a casual estimate. What you’re going to find is that you have downtime that can be avoided and it’s costing you money.

Is it important to really know the cost-per-screen for your business?  This was a question posed by a Printwear reader, and here is Kieth’s response: