New WrapItRight video from Arlon Graphics! If you wrap cars, then you will experience bubbles or wrinkles. Learning how to quickly fix these common blemishes will help take your applications to the next level. This video shows you how to rework areas with bubbles or wrinkles without compromising the performance of your wrap. For more videos in this series, visit www.wrapitright.com.
Tuesday, June 7, 2016/Author: Anonym/Number of views (1416)/Comments (0)/
Banners continue to be one of the most enduring and popular ways to display visual content. They’re easy to make, relatively inexpensive and just about every sign shop is going to have the equipment on hand to make them.
Monday, June 6, 2016/Author: Anonym/Number of views (1459)/Comments (0)/
Testing, prepping, and choosing the right material are keys to a successful wall graphic. Watch the video to learn more about what to consider for wall graphic applications!
Thursday, June 2, 2016/Author: Anonym/Number of views (1367)/Comments (0)/
In general, backlit images are meant to be viewed only when a light source is behind the image. Occasionally however, you may need to create a backlit image that can be viewed when face-lit with natural light in the daytime, and also at night when the image is illuminated from behind. The problem is that a print that looks good when backlit needs to have a heavy ink load. It needs to be dark and dense to compensate for strong backlighting. But that same print will look terrible in a front-lit application. Here are some tips to get around the problem.
Wednesday, June 1, 2016/Author: Anonym/Number of views (1375)/Comments (0)/
Find out which window films is the right one for your job!
Friday, May 27, 2016/Author: Anonym/Number of views (1270)/Comments (0)/
Okay, so you’ve got a dye-sublimation printer in mind, but you’re wondering what kind of heat press will complete your perfect dye-sublimation workflow? There are many options out-there and choosing the right heat press isn’t easy. Much depends on the type of products and applications that are in your business plan, and other factors, like size, type, and cost will need to be considered.
Heat presses are designed for specific applications and come in all styles, sizes and with very different price tags – presses can run from $1K to $100K. The following tips outline some of the most important points to keep-in-mind when purchasing a heat press to combine with your dye-sublimation printer.
Friday, May 27, 2016/Author: Anonym/Number of views (1343)/Comments (0)/
In the digital graphics industry, a great deal of attention is paid to output devices. It isn’t difficult to understand why. Wide-format inkjet devices, whether fast or slow, flatbed or roll-to-roll, play an important role in the creation of graphic prints. But it’s important to remember that most prints must be finished in some way before they can be delivered to the customer as a sellable final product. One of the most common and perhaps underappreciated finishing steps is lamination.
Wednesday, May 25, 2016/Author: Anonym/Number of views (1259)/Comments (0)/
The rapid pace of technological development and innovation in the area of wide-format digital printers has dramatically changed the landscape of print possibilities for the sign and commercial graphics industry. From ultra-high resolutions and ever increasing production speeds to the ever-widening range of printable substrates—the technology that enables these feats has become the backbone of this progress.
The end-goal, of course, has always been increased quality and productivity. Here we present perspectives on today's printer technologies, from some industry members who are directly involved in printer manufacturing. We will look at what they feel are some of today's most important technological developments, and then drill down into three specific technology areas: printheads, LED UV-cure technology and media transport systems.
Monday, May 23, 2016/Author: Anonym/Number of views (1327)/Comments (0)/
Nazdar SourceOne is pleased to announce David Poto and Bill Geers have joined the Sales team as Account Executives for the SourceOne Graphic Business Unit. In these roles, they will be responsible for developing and increasing graphic sales opportunities within their respective regions. David is part of the Graphic Business Unit West Region and will be based out of Chicago, Illinois. Bill is part of the Graphic Business Unit East Region and will be based out of Cincinnati, Ohio.
Friday, May 20, 2016/Author: Anonym/Number of views (2188)/Comments (0)/
Of all the questions and issues surrounding the lamination of large format digital graphics, film selection is perhaps one of the toughest. Selecting lamination films is sometimes a complex process.
Price alone is not a good basis for making film-buying decisions either. Unless you know from experience that it will work on your media, buying the lowest price film can be a losing proposition. The cost of reprinting and refinishing the pieces ruined by using the wrong film is much higher than the extra cost of buying the right film at the start.
Wednesday, May 18, 2016/Author: Anonym/Number of views (1215)/Comments (0)/